ALL FILMS HAVE EXPIRED, no guarantee of functioning is given!
PLEASE NOTE: I have the most time kept them in deep freeze (at least -18 degrees Celsius) and some of them I tested and they seemed to be ok.
Please see all photos for more info/guidance & make your own judgment on condition etc.
Everything shown in the photos above is included in the sale, nothing more, nothing less!
All photos shown are of the actual item/s you are buying & what you will receive.
+ + + THE ITEMS ARE LOCATED IN FINLAND (EU) + + +
NO CUSTOMS TAX AND NO VAT TO THE ITEM PRICE IF YOU ARE IN EU + + +
SELLING AS A BUSINESS (BUT NO LOCAL VAT IS ADDED TO THIS ITEM!) SEE TERMS & CONDITIONS
PLEASE READ FULL DESCRIPTION BEFORE BUYING
MANY THANKS FOR LOOKING!
PLEASE CHECK OUT MY OTHER FILMS / CAMERAS / DARKROOM ITEMS FOR SALE,
MUCH MORE TO COME!
I bought these films new from a professional photo store in Helsinki, Finland around 2003 (I got then quite a lot of film), I think. They were kept in a refrigerator storage (2-6 degrees Celsius), I think. I kept ALL my films until July 2014 in deep fridge (at least -18 degrees Celsius) basically from the moment I got them. Then, as my company moved to a new location I had no more enough deep freeze place for all my films, like these films. Inside, where the films have been stored, the room temperature has been ca. + 3 .. 10 degrees Celsius during wintertime (ca. November – April) and ca. + 10 .. 17 degrees Celsius at other times. During January – May 2016 ALL films were well covered outside at ca. -33 .. + 10 degrees Celsius and after that time I moved all my films inside (temperatures as above).
When I shot for my gigs, I often used Fuji Superia 100 film for 35 mm cameras. The film was easy to get, usually cheap, and did the job perfectly – exactly what my customers desired. I never thought that the same film would be available for “professionals”, i.e., in larger format. But so it was! 🙂
Then, later on, as I was shooting at Pori Jazz Festival, I got into hands of the Fuji Press 800 (also 400) 135 film. Oh man, it was a great film, indeed.
They still have the specifications for the Superia 100 CN on-line but I am uncertain if this particular 120 film is still made, at least the USA “mecca” of photography says that film is no longer available.
Now, to be honest, the color negative films are the most sensitive to aging, which only freezing can withhold to some extent. Black-and-white films are just fine even with decades and decades of expiry, and to my experience, also slides are much better aging resistant than color negatives. So keeping this in mind, I tested one my OptimaII 100 ASA 120 films, which you can see and read about yourself in my blog pages. Looking more closely to the very last images, some of the scanned images indicate a bit of a greenish cast visible in the darks, whilst others do not. This is partly due my automated image processing methods. The best results are always got when the frame is cropped away, because the dark frame areas make the automated calculus go haywire. In this case I wanted to make the frames partly visible so that you would be able to read the film information. Yes, I have more than a thousand photos here, so guess how much manual stuff I’m interested in doing.. ,)
How do the results of Agfa OptimaII 120 100 ASA reflect to these Fuji Superia 100 ASA 120? I can’t say for sure. In all, I’d say these films are still usable, but not as such as they were in 2003. But I do think they would the perfect material for you if you’re keen on LOMO or HOLGA or other creative photography. Perhaps setting the ASA number a bit smaller (like 200 instead of 400) might be a good thing. Then, just point and shoot and drop the exposed film to your next one hour photo store, and be amazed what comes out! 🙂
I am selling this set of four unopened films, in original boxes for 24 euros. I opened the one film box ONLY for the reason of taking the photos to this post, so that you would get a peak what’s inside. ,)
Yes, of course I will combine shipping for reduced shipping costs. I urge you to my buy more from me and will be flexible with it. Please note the somewhat expensive shipping costs from Finland, especially if insurance is needed. If the value of order gets to a higher level, I insist on taken an insurance for the shipping.
If you buy this item – please keep it in deep freezer for best results! 🙂
If you have more questions, please contact me directly.
Klaus Riederer, PhD, MSc
KAR Oy Ab GmbH Ltd S. A. R. L., CEO www.kar.fi
© 2016 We-Love-Film-Cameras-Printing-Baking-KAR-Ltd-FI-Outlet
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